Friday, July 19, 2019
Alienation in All Quiet on the Western Front :: All Quiet on the Western Front Essays
      Alienation in All Quiet on the Western Front     Ã       Ã  Ã  Ã  Ã  Ã  Ã  Ã   According to the Webster's New  World College Dictionary, alienation     is 1. Separation, aversion, aberration.Ã   2.Ã   Estrangement or  detachment.Ã   3.     Ã  Mental derangement; insanity.     Ã       Ã  Ã  Ã  Ã  Ã  Ã  Ã   The theme of All Quiet on the  Western Front is about how World War     I destroyed a generation of young men. It has taken from them the last of     their childhood years, it has destroyed their faith in their elders, it  has     taught them an individual life is meaningless--and all it has given in     return is the ability to appreciate basic physical pleasures. According  to     Paul, though, the men haven't entirely lost human sensitivity: they're  not     as callous as they appeared in Chapter 1, wolfing down their dead     companions' rations. It's just that they must pretend to forget the dead;     otherwise they would go mad.     Ã       Ã  Ã  Ã  Ã  Ã  Ã  Ã   Remarque includes discussions  among Paul's group, and Paul's own     thoughts while he observes Russian prisoners of war (Chapters 3, 8, 9) to     show that no ordinary people benefit from a war. No matter what side a  man     is on, he is killing other men just like himself, people with whom he  might     even be friends at another time.     Ã       Ã  Ã  Ã  Ã  Ã  Ã  Ã   But Remarque doesn't just tell us  war is horrible. He also shows us     that war is terrible beyond anything we could imagine. All our senses are     assaulted: we see newly dead soldiers and long-dead corpses tossed up     together in a cemetery (Chapter 4); we hear the unearthly screaming of  the     wounded horses (Chapter 4); we see and smell three layers of bodies,     swelling up and belching gases, dumped into a huge shell hole (Chapter  6);     and we can almost touch the naked bodies hanging in trees and the limbs     lying around the battlefield (Chapter 9).     Ã       Ã  Ã  Ã  Ã  Ã  Ã  Ã   The crying of the horses is  especially terrible. Horses have     nothing to do with making war. Their bodies gleam beautifully as they     parade along--until the shells strike them. To Paul, their dying cries     represent all of nature accusing Man, the great destroyer.     Ã       Ã  Ã  Ã  Ã  Ã  Ã  Ã   In later chapters Paul no longer  mentions nature as an accuser but     seems to suggest that nature is simply there--rolling steadily on through     the seasons, paying no attention to the desperate cruelties of men to  each     other. This, too, shows the horror of war, that it is completely  unnatural     					    
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